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5 poems
T H E O D O R A Z I O L K O W S K I
Picture this: you wear girl-sized clothes the summer
your aunt passes down that porcelain doll. You are twenty-four; it is a family heirloom.
He carries your gift on the return flight from Michigan. There is no room in his suitcase.
Besides, the doll is delicate. Science says you can’t think straight if your brain isn’t getting enough
protein. The doll requires a cabin seat. You do your homework. The chocolate protein
shakes are less chalky than vanilla. You have always been a good student though this time it is hard.
The doll would need to get used to the heat. Every day you think: So much is wrong with me.
You see yourself waving as he passes through security, the doll tucked under his arm, but you
don’t trust that memory. You put the doll on the mantel for everyone to see, but it is mostly just
you there & you are so changed. For four years, you & he live in a college town that neither
of you can ever quite claim. Even when smiling, your face is a broken plate. Morning
is the only time of day to run without collapsing from the heat. Before sunup & chocolate shakes,
before he wakes, you jog around your complex until you lose feeling.
Leaving Vatican City, I was packed shoulder to shoulder
& jostled against rain-slicked arms & knapsacks
when I felt a hand groping my ass, then another
reaching up my dress.
For a moment, I thought it was an accident.
Then I turned & saw the glance
the men exchanged. They were a team.
Who would see what they were doing?
You are safe in your body, a friend had said
when I told her I felt as if somewhere
someone was walking around
in my body. Who was she?
A doctor warned I was in danger
of not being able to have children,
then provided a list of experts.
You’d think dining would be easy
but heaped plates glared, unappetizing.
Meanwhile, I impressed my ballet teacher
by what a perfect line
I could chaîné across the floor.
The trick is knowing how to spot.
You turn your head with your body,
train your gaze to prevent dizziness.
I chose a point in the mirror
to traverse the studio
as my teacher told the littlest dancers
what they saw required practice.
It took years to get healthy.
I pulled the cord to signal my stop.
Pushing my way out of the crush,
I turned to find what remained
of the men’s faces had blurred into nothing.
Just as I stepped off,
another woman stepped on.
It’s late, your cat is clawing the backseat, & you’re afraid your husband will nod off
so sleepy behind the wheel. Southbound, the air still smells of tar & fried okra. The only radio
stations are country & gospel—as if you’ve never left. The motel you stop at is run by a man
shaped like a bathtub. He greets you in a lobby aglow with gumball machines, a TV. The Waffle
House looming over I-59 bathes every view like a yellow moon; your room faces the pool.
Inside, you find the bed covered in surprisingly white linen. He scours for bed bugs while you
shower, recalling the time you & he stayed in an inn filled with mirrors. The night had a triple-
digit price tag & the air felt like an argument. Who had been fighting? That trip, you had a friend’s
wedding to attend & your dress was a tent. At the reception, you pawed the vat of dessert mousse,
dress straps sloughing, bodice like a sack while the happy couple danced. You are a wife, you’d told
yourself as you watched the groom spin his bride. You are the wife, you think now as you emerge
from the shower to join him in bed, in that fleabag motel off the highway you pay cash to sleep in—
over & again, you remind yourself that you are the wife, & the refrain will gather momentum, until
you are the wife is all that you hear when, come morning, your cat noses its way to the pool, where it
finds the deer carcass before you do.
There is a fact of memory & there is a fact of feeling
There is also a fact of feeling
in my memory
I did
not exist.
Cross this out
& this.
In his videos, look with what precision
my face is agreeable.
The pitch of my voice is higher, I sound childish.
Now everything seems like an omen.
The bat down the chimney
& into the glow of my parents’ living room.
Like a scattered Queen of Night tulip,
it blew across our heads.
Then there was the four-car pileup
behind me, Mom, & Dad.
When that Nissan hydroplaned,
the cargo truck struck our back bumper.
My head snapped back & forward.
Watching that Nissan torpedo,
I thought it squealed like an animal.
Later, Dad remarked on my scream.
That part for me is amnesia.
Had I seen the bloody face of that teen?
Back in Houston, my neck strained.
Nothing belongs to me, I told myself
as I assembled my new bed.
For hours, I listened to B.B. King croon
about the thrill being gone.
Heaving the mattress atop the frame,
I sang, I belong to no one.
At the memory care center, the waters are calm before they are choppy
& no matter how many times I show them,
they don’t understand
how to take
the napkin where to place
the spoon This isn’t anything,
says Karen, It doesn’t
go anywhere, this
is stupid
At dinner, I cut their chicken into pieces
& feed them
slowly I don’t want Ned to choke,
but he’s hungry Peas roll off his plate
My hand he mistakes
for potato He draws it to his face
Our survival is based on the existence of holes
He can’t find his mouth
It’s easier to feed him
than myself What I love
about the care center are the doilies
& rose wallpaper, dancing with the residents to Elvis Presley
It’s a desire for the past I had no part in,
for the King of Rock n’ Roll crooning
Most nights, it is like the residents & I are on a ship
with no destination. From the outside,
the lit windows must look like portholes,
while we dine in a Flying Dutchman,
the dinner party just starting
Theodora Ziolkowski is the author of the 2018 Next Generation Indie Book Award-winning novella, On the Rocks, and the short story chapbook, Mother Tongues. Currently, she teaches creative writing as an Assistant Professor at the University of Nebraska at Kearney. Her debut poetry collection, Ghostlit, is forthcoming from Texas Review Press.
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